ANTHONY CONTE'S MATHEMATICAL LYRICISM
Evolution of “I’m On A Boat” by Conte.
(TI)
Aw, Leibniz, get your pencils ready, it’s about to go down. Everybody in the place hit the graphin’ key, but stay on the edge of your seat. We solvin’ this. Let’s go.
I’m on a slope. I’m on a slope. Everybody look at me cause I’m sailin on a slope. I’m on a slope. I’m on a slope. Take a good, hard look at the limit of my slope.
I’m on a slope, AMC, take a look at me. Straight floatin’ on a slope on the Cartesian sea. Bustin’ 5 inflection points, whippin’ out my Casio. You can’t stop me, AP, oh, cause I’m on a slope.
Take a critical point. I’m on a slope, Pythagoras. We takin’ second derivative cause it’s cubic. I got my compass, and my protractor. I’m writin’ numbers; you in English straight writin’ papers.
I’m ridin’ on a tangent, doin’ calc and trig. The tangent’s dunkin’, gettin’ the slope all gone. But this ain’t English, this as real as a graph drawn. I’m on a slope, exam, don’t you ever yawn.
I’m on a slope and it’s goin’ down fast and I gotta derive to make it last. I’m the king of the class, on a slope like Newto’. If you on a line, then you’re sure not me, oh. Change things up, this graph is real.
Forget English, I’m on a slope, AP. Forget papers, I calculate, AMC. I’m on a numbered axis with my points, exam. My Casio make no noise, fool.
Hey ma, if you could see me now, with conic sections around the answer now. Gonna fly this slope to the moon somehow. Like Archimedes, anything is possible.
Yea. Never thought I’d be on a slope. It’s a big blue unbounded plane. Yea. Poseidon, look at me, ooh. (All hands on desks). Never thought I’d see the day, when a great big 5 comin’ my way. Believe me when I say, I blew AIME away.
I’m on a slope. I’m on a slope. Everybody look at me cause I’m sailin’ on a slope. (whooa) I’m on a slope. I’m on a slope. Take a good, hard look at the limit of my slope.
(TI. TI. Yeah, yeah, yeah.)
Rachel Kim <3 little superstar.
Yeah, she would get interviewed and start laughing like a 5 year old a few seconds into it.
I really like this though. It really sums her up. IN A GOOD WAY.
I know I’m not a senior or whatever, but I’m really going to miss you babies.
NY-23
Why are you being such a mysterious little foolish district?
JUST DECLARE OWENS CHAMPION ALREADY. Yeah, I said champion instead of winner. whateva.
Being bumpkins in upstate NY doesn’t give you an excuse for being THE EFFING LAST SET OF RESULTS ON THE EAST COAST. I mean can you please learn from us modern New Yorkers. Please, I beg of you.
Oh and thank you Scozzafava for really causing all of this trouble. I mean seriously, if you’re going to support gay marriage and abortion, which I am really proud of, just switch parties. I’m actually pretty sure they’d (Democrats) welcome you with open arms. C’mon Scozzy.
ooh scozzy. look at me giving politicians nicknames.
ps. scozzy dropped out of the race on Saturday, causing all of this commotion, which led to MY AP Gov teacher deciding on giving us a last minute essay assignment to “reflect on the election results” and two other articles. It’s 1:16 AM, and I’m pretty sure them bumpkins haven’t decided on what (D) means.
BASICALLY.
I kind of just realized that these text posts, facebook status updates, and twitter updates, are simply just different socially acceptable ways of talking to yourself.
most of the time.
99 luftballoons but a bitch aint one
bobloblawslawblog:
hit me
[Flash 9 is required to listen to audio.]
If I Were Queen - My Brightest Diamond
Sons and Lovers
HOLYS SH*T
So we’re going over chapter 7 in class, and apparently I didn’t catch on to the “deeper meaning” of the “pencil” throwing scene. Where Paul throws his “pencil” “into” Miriam’s face. Also I didn’t understand what “rose bush” meant. Oh yeah! and the swinging scene. DID NAY CATCH THAT BROTHA.
So. D.H. Lawrence is a completely disgusting man. Not only because of these bizarre scenes, but also because the character of Paul is based on himself, and Paul is a wretched little oedipal bitch who wants to do things to his mother. Gross, I know.
